{"id":29,"date":"2021-04-23T05:51:44","date_gmt":"2021-04-23T05:51:44","guid":{"rendered":"https:\/\/jamesshirley.webspace.durham.ac.uk\/?page_id=29"},"modified":"2021-05-07T21:57:27","modified_gmt":"2021-05-07T21:57:27","slug":"criticism-on-james-shirley","status":"publish","type":"page","link":"https:\/\/jamesshirley.webspace.durham.ac.uk\/?page_id=29","title":{"rendered":"Criticism on James Shirley"},"content":{"rendered":"\n

Criticism on James Shirley
<\/h1>\n\n\n\n

A Selective Bibliography<\/h3>\n\n\n\n

by Barbara Ravelhofer<\/h4>\n\n\n\n

State: Feb. 2015<\/h5>\n\n\n\n

This bibliography is selective. It should be read alongside Ruth Zimmer\u2019s James Shirley: A Reference Guide<\/em> (Boston: Hall, 1980) and Kim H. Noling\u2019s \u2018Recent Studies in James Shirley\u2019, ELR<\/em>, 37\/3 (2007), 450-65. I also recommend the annual Studies in English Literature 1500-1900<\/em> springtime review articles which summarize publications on Tudor and Stuart literature.<\/p>\n\n\n\n

Readers are encouraged to suggest additions and corrections. I would be particularly interested in learning about non-English language criticism, especially in Romance languages, as Shirley\u2019s drama sometimes built on Italian and Spanish sources.<\/p>\n\n\n\n

My thanks to Emma Miller and Katherine Heavey for helping to compile the bibliography.<\/p>\n\n\n\n

\u2018Specimens of the Elizabethan Drama from Lyly to Shirley, A.D. 1580 \u2013 A.D. 1642<\/em>. By W. H. Williams, M.A. (Oxford, Clarendon Press.)\u2019, Notes & Queries<\/em>, s.10-3 (75) (1905), 439. Anonymous review and discussion of pre-1642 dramatic canon.<\/td><\/tr>
Adams, Joseph Quincy, \u2018Hill\u2019s List of Early Plays in Manuscript\u2019, Library<\/em>, 20 (1939-40), 71-99<\/td><\/tr>
Anselment, Raymond A., \u2018Clarendon and the Caroline Myth of Peace\u2019, Journal of British Studies<\/em>, 23\/2 (1984), 37-54<\/td><\/tr>
Ardila, J. A. G., The Cervantean Heritage: Reception and Influence of Cervantes in Britain<\/em> (London: Legenda, 2009)<\/td><\/tr>
Aronstein, Philipp, \u2018Arthur Nason\u2019s James Shirley<\/em>\u2019, Anglia<\/em>, 31 (1920), 77-82<\/td><\/tr>
Aronstein, Philipp, \u2018Das nationale Erlebnis im englischen Renaissancedrama\u2019, Shakespeare-Jahrbuch<\/em>, 55 (1919), 86-128<\/td><\/tr>
Astington, John, \u2018Dramatic Extracts in the Interregnum\u2019, Review of English Studies<\/em>, 54\/217 (2003), 601-14. Extracts from Shirley\u2019s plays in Cotgrave\u2019s Wit\u2019s Interpreter<\/em> (1655) and drolls.<\/td><\/tr>
Auberlen, Eckhard, \u2018Mediation, Repression or Conquest? Discourses of Peacemaking in Tudor and Stuart Court Entertainments\u2019, in Proceedings of the Anglistentag Mainz 1999<\/em>, ed. Bernhard Reitz, Sigrid Rieuwertz (Trier: Wissenschaftlicher Verlag, 2000), 199-212<\/td><\/tr>
Bahlsen, L., \u2018Spanische Quellen der dramatischen Litteratur, besonders Englands zu Shakespeares Zeit\u2019, Zeitschrift f\u00fcr vergleichende Literaturgeschichte<\/em>, 6 (1893), 151-59<\/td><\/tr>
Bailey, R., \u2018Queen Henrietta Maria, the \u201cOld Faith\u201d and \u201cHer Majesties Servants\u201d: Roman Catholicism and Caroline Drama\u2019 (PhD, London: Birkbeck, 2003)<\/td><\/tr>
Bailey, Rebecca, Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625-1642<\/em> (Manchester: Manchester University Press, 2009)<\/td><\/tr>
Bas, G, \u2018James Shirley (1596-1666): Dramaturge carol\u00e9en\u2019<\/em> (PhD, [Lille:] Service de reproduction des th\u00e8ses, Universit\u00e9 de Lille III, 1973)<\/td><\/tr>
Bas, G., \u2018Lucow, Ben. James Shirley<\/em>\u2019, \u00c9tudes Anglaises<\/em>, 38\/4 (1985), 457-58<\/td><\/tr>
Bas, G., \u2018R. K. Zimmer, James Shirley: A Reference Guide<\/em>\u2019, \u00c9tudes Anglaises<\/em>, 38\/4 (1985), 456-57<\/td><\/tr>
Bas, Georges, \u2018Gerber, Richard. James Shirley, Dramatiker der Dekadenz<\/em>\u2019, \u00c9tudes Anglaises<\/em>, 13 (1960), 474-75<\/td><\/tr>
Bas, Georges, \u2018James Shirley et \u201cTh\u2019Untun\u2019d Kennell\u201d: Une petite guerre des th\u00e9\u00e2tres vers 1630\u2019, \u00c9tudes Anglaises<\/em>, 16 (1963), 11-22<\/td><\/tr>
Bas, Georges, \u2018James Shirley, pasteur dans le Hertfordshire\u2019, \u00c9tudes Anglaises<\/em>, 15 (1962), 266-68<\/td><\/tr>
Bas, Georges, \u2018More about the Anonymous Tragedy of The Cruell Warre<\/em> and James Shirley\u2019s The Triumph of Peace<\/em>\u2019, Cahiers \u00c9lisab\u00e9thains<\/em>, 17 (1980), 43-57<\/td><\/tr>
Bas, Georges, \u2018Thomas Zouch\u2019s Life of Walton and the Alleged Friendship between James Shirley and Izaac Walton\u2019, Notes & Queries<\/em>, 222 (1977), 125-26<\/td><\/tr>
Bas, Georges, \u2018Titre, th\u00e8mes et structure dans The Lady of Pleasure<\/em> de James Shirley\u2019, in Hommage \u00e0 Emile Gasquet (1920-1977)<\/em>, ed. P. Marambaud, Belles Lettres, 34 (Paris: Annales de la Facult\u00e9 des Lettres et Sciences Humaines de Nice, 1978), 97-107<\/td><\/tr>
Bas, Georges, \u2018Two Misrepresented Biographical Documents Concerning James Shirley\u2019, Review of English Studies<\/em>, 27\/107 (1976), 303-10<\/td><\/tr>
Baskervill, Charles R., \u2018The Source of the Main Plot of Love Tricks<\/em>\u2019, Modern Language Notes<\/em>, 24 (1909), 100-1<\/td><\/tr>
Baugh, Albert C., \u2018Further Facts about James Shirley\u2019, Review of English Studies<\/em>, 7\/25 (1931), 62-66<\/td><\/tr>
Baugh, Albert C., \u2018Some New Facts about James Shirley\u2019, Modern Language Review<\/em>, 17 (1922), 228-35<\/td><\/tr>
Bawcutt, N. W., \u2018The Assassination of Alessandro de\u2019 Medici in Early Seventeenth-Century English Drama\u2019, Review of English Studies<\/em>, n. s., 56\/225 (2005), 412-23<\/td><\/tr>
Beal, Peter, \u2018Massinger at Bay: Unpublished Verse in a War of the Theatres\u2019, Yearbook of English Studies<\/em>, 10 (1980), 190-203. Massinger, Shirley and the Caroline war of the theatres.<\/td><\/tr>
Beier, A. L., Masterless Men: The Vagrancy Problem in England 1560-1640<\/em> (London: Methuen, 1985). The Sisters.<\/em><\/td><\/tr>
Belsey, Catherine, \u2018Tragedy, Justice and the Subject\u2019, in 1642: Literature and Power in the Seventeenth Century<\/em>, ed. F. Barker, J. Bernstein et al. (Colchester: University of Essex, 1981), 166-86. The Cardinal<\/em>.<\/td><\/tr>
Bennett, Alexandra G., \u2018Hero Chalmers, Julie Sanders, and Sophie Tomlinson (eds), Three Seventeenth-Century Plays on Women and Performance<\/em>\u2019, Notes & Queries<\/em>, 54\/3 (2007), 344-46. Review article. The Bird in a Cage<\/em>.<\/td><\/tr>
Bensly, Edward, \u2018Mors sceptra ligonibus aequat\u2019, Notes & Queries<\/em>, s.10-12 (1909), 494. Shirley\u2019s \u2018Dirge\u2019.<\/td><\/tr>
Bentley, Gerald Eades, \u2018James Shirley and a Group of Unnoted Poems on the Wedding of Thomas Stanley\u2019, Huntington Library Quarterly<\/em>, 2 (1939), 219-31<\/td><\/tr>
Bergeron, David M., Textual Patronage in English Drama, 1570-1640<\/em> (Aldershot: Ashgate, 2006). Ch. 8 on textual patronage in the 1630s looks at prefaces to readers, with much reference to Shirley.<\/td><\/tr>
Bertheau, Gilles, \u2018Le pr\u00e9rogative royale comme enjeu du syst\u00e8me judiciaire dans The Tragedy of Chabot, Admiral of France<\/em> (1639) de George Chapman et James Shirley\u2019, GRAAT: Groupe de Recherches Anglo-Am\u00e9ricaines de Tours<\/em>, 7 (2010), 78-96<\/td><\/tr>
Bitot, Michel, \u2018Alteration in a Commonwealth: Disturbing Voices in Caroline Drama\u2019, Cahiers \u00c9lisab\u00e9thains<\/em>, 47 (1995), 79-85<\/td><\/tr>
Black, Forrest Edward Jr., \u2018The Nature of Evil in the Tragedies of James Shirley\u2019 (PhD, Bowling Green, OH: Bowling Green State University, 1975)<\/td><\/tr>
Bland, D. S., \u2018A Word in Shirley\u2019s The Cardinal<\/em>\u2019, Review of English Studies<\/em>, 4\/16 (1953), 358-59<\/td><\/tr>
Bowers, Fredson, \u2018Problems in Thomas Randolph\u2019s \u201cThe Drinking Academy\u2019\u2019\u2019, Huntington Library Quarterly<\/em>, 1 (1938), 189-98. On The Traitor<\/em> and The Young Admiral<\/em>.<\/td><\/tr>
Breen, M., \u2018James Shirley, Dramatist\u2019 (MA, Dublin: National University of Ireland, 1936)<\/td><\/tr>
Britland, Karen, \u2018Queen Henrietta Maria\u2019s Theatrical Patronage\u2019, in Henrietta Maria: Piety, Politics and Patronage<\/em>, ed. Erin Griffey (Aldershot: Ashgate, 2008), 57-72. Esp. The Young Admiral.<\/em><\/td><\/tr>
Britland, Karen, Drama at the Courts of Queen Henrietta Maria<\/em> (Cambridge: Cambridge University Press, 2006)<\/td><\/tr>
Bullen, G., \u2018James Shirley in 1648\u2019, Athenaeum<\/em>, 6 Sept (1879), 305. Discounts Wit\u2019s Labyrinth<\/em> as Shirley\u2019s, and quite rightly so.<\/td><\/tr>
Burks, Deborah G., \u2018\u2018This Sight Doth Shake All That Is Man within Me\u2019: Sexual Violation and the Rhetoric of Dissent in The Cardinal<\/em>\u2019, Journal of Medieval and Renaissance Studies<\/em>, 26\/1 (1996), 153-90<\/td><\/tr>
Burner, Sandra A., James Shirley: A Study of Literary Coteries and Patronage in Seventeenth-Century England <\/em>(Lanham: University Presses of America, 1988)<\/td><\/tr>
Butler, Aaron Bracken, \u2018Glass Perspectives: Optics and Virtue in English Renaissance Drama\u2019 (PhD, Chapel Hill: University of North Carolina, 2000). Esp. The Lady of Pleasure <\/em>and The Cardinal<\/em>.<\/td><\/tr>
Butler, Martin, \u2018Politics and the Masque: The Triumph of Peace<\/em>\u2019, The Seventeenth Century<\/em>, 2\/2 (1987), 117-41<\/td><\/tr>
Butler, Martin, The Stuart Court Masque and Political Culture<\/em> (Cambridge: Cambridge University Press, 2008). The Triumph of Peace<\/em>.<\/td><\/tr>
Butler, Martin, Theatre and Crisis: 1632-1642<\/em> (Cambridge: Cambridge University Press, 1984). 1630s Shirley.<\/td><\/tr>
Cameron, Joanna M., \u2018Centlivre, Not Shirley: Correcting an Error in Joseph Wood Krutch\u2019s Comedy and Conscience after the Restoration<\/em>\u2019, Notes & Queries<\/em>, 43\/3 (1996), 292-96<\/td><\/tr>
Cannon, G., \u2018Turkish and Persian Loans in English Literature\u2019, Neophilologus<\/em>, 84\/2 (2000), 285-307<\/td><\/tr>
Carroll, William C., Fat King, Lean Beggar: Representations of Poverty in the Age of Shakespeare<\/em> (Ithaca: Cornell UP, 1996). The Sisters<\/em>.<\/td><\/tr>
Carter, Albert Howard, \u2018Shirley\u2019s Return to London in 1639-40\u2019, Modern Language Notes<\/em>, 58\/3 (1943), 196-97<\/td><\/tr>
Catenaccio, Paola, \u2018From Bed to Worse: Eroticized Politics on the Caroline Stage\u2019, Textus<\/em>, 17 (2004), 291-308. The Traitor<\/em>.<\/td><\/tr>
Chapman, Edgar Leon, \u2018The Comic Art of James Shirley: A Modern Evaluation of His Comedies\u2019 (PhD, Providence: Brown University, 1964\/1965)<\/td><\/tr>
Clark, Ira, \u2018Shirley, James (bap<\/em>. 1596, d.<\/em> 1666), Playwright and Poet\u2019, ODNB<\/em> (Oxford: Oxford University Press, 2004), <www.oxforddnb.com\/view\/article\/25427?docPos=1><\/td><\/tr>
Clark, Ira, Professional Playwrights: Massinger, Ford, Shirley & Brome<\/em> (Lexington: University Press of Kentucky, 1992)<\/td><\/tr>
Clark, William Smith, The Early Irish Stage: The Beginnings to 1720<\/em> (Oxford: Clarendon Press, 1955)<\/td><\/tr>
Clark, William S., \u2018The Relation of Shirley\u2019s Prologue to Orrery\u2019s The Generall<\/em>\u2019, Review of English Studies<\/em>, 6\/22 (1930), 191-93<\/td><\/tr>
Clucas, Stephen, ed., A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle <\/em>(Aldershot: Ashgate, 2003). Contributions refer to The Bird in a Cage<\/em>, The Lady of Pleasure<\/em>, and The Maid\u2019s Revenge<\/em>.<\/td><\/tr>
Cogan, Nathan Franklin, \u2018Libertine Code in James Shirley\u2019s London Comedies \u2013 Study of Comic Form\u2019, Albion<\/em>, 8\/2 (1976), 193<\/td><\/tr>
Cogan, Nathan Franklin, \u2018The London Comedies of James Shirley, 1626-1635: The Dramatic Context of The Lady of Pleasure<\/em>\u2019 (PhD, Berkeley: University of California, 1972)<\/td><\/tr>
Cogan, Nathan, \u2018James Shirley\u2019s The Example<\/em> (1634): Some Reconsiderations\u2019, Studies in English Literature, 1500-1900<\/em>, 17\/2 (1977), 317-31<\/td><\/tr>
Collester, Clinton H., \u2018Narcissus<\/em> Plays Distinguished\u2019, Modern Language Notes<\/em>, 20 (1905), 134-38. Narcissus.<\/em><\/td><\/tr>
Collins, Eleanor, \u2018Changing Fashions: Tragicomedy, Romance and Heroic Women in the 1630s Hall-Playhouses\u2019, in Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse<\/em>, ed. A. Gurr and F. Karim-Cooper (Cambridge: Cambridge University Press, 2014), 217-36<\/td><\/tr>
Collins, Eleanor, \u2018Theatre Reviewing in Post-Consensus Society: Performance, Print and the Blogosphere\u2019, Shakespeare<\/em>, 6\/3 (2010), 330-36<\/td><\/tr>
Cousins, Kathryn McCambridge, \u2018The Role of the Narrative in James Shirley\u2019s Tragicomedies\u2019 (PhD, New York: Fordham University, 1969)<\/td><\/tr>
Crawley, Derek, \u2018The Effect of Shirley\u2019s Hand on Chapman\u2019s The Tragedy of Chabot Admiral of France<\/em>\u2019, Studies in Philology<\/em>, 63 (1966), 677-96<\/td><\/tr>
Crin\u00f2, Anna Maria, James Shirley drammaturgo di corte<\/em> (Verona: Ghidini e Fiorini, 1968). A familiar history of Shirley\u2019s life and works.<\/td><\/tr>
Cunningham, John Patrick, \u2018Un-Masquing English Opera: Locke and Shirley\u2019s Cupid and Death\u2019 (MA diss., University College Dublin, 2001)<\/td><\/tr>
Cutts, John, \u2018Original Music for Two Caroline Plays \u2013 Richard Brome\u2019s The English Moore; Or The Mock-Mariage<\/em> and James Shirley\u2019s The Gentlemen of Venice<\/em>\u2019, Notes & Queries<\/em>, 33\/1 (1986), 21-25<\/td><\/tr>
D., W., \u2018Gladstone, Shirley, G. Herbert\u2019, Notes & Queries<\/em>, s.3-2 (32) (1862), 103-4. Shirley\u2019s \u2018Dirge\u2019.<\/td><\/tr>
Daemen-De Gelder, Katrien, and J. P. Vander Motten, \u2018\u201cThe Times are Dangerous\u201d: An Unnoticed Allusion to William Cavendish\u2019s The Variety<\/em> (1641-42)\u2019, ANQ<\/em>, 21\/3 (2008), 35-40<\/td><\/tr>
Davison, Peter H., Popular Appeal in English Drama to 1850<\/em> (London: Macmillan, 1982). Antimasques in The Triumph of Peace.<\/em><\/td><\/tr>
de Groot, Jerome, \u2018Coteries, Complications and the Question of Female Agency\u2019, in The 1630s: Interdisciplinary Essays on Culture and Politics in the Caroline Era<\/em>, ed. J. Sanders and I. Atherton (Manchester: Manchester University Press, 2006), 189-209. The Shirley circle.<\/td><\/tr>
DeBord, Beverly, \u2018The Stage as Mirror of Society: The Widow in Two Seventeenth-Century Comedies\u2019, Shakespeare and Renaissance Association of West Virginia Selected Papers<\/em>, 10 (1985), 71-78<\/td><\/tr>
Denman, Jason, \u2018The Influence of Shirley\u2019s The Coronation<\/em> on Marriage A-la-Mode<\/em>\u2019, Notes & Queries<\/em>, 58\/3 (2011), 386-88<\/td><\/tr>
DiGangi, Mario, Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley<\/em> (Philadelphia: University of Pennsylvania Press, 2011)<\/td><\/tr>
Dix, Robin, and Trudi Laura Darby, \u2018The Bibliographical Significance of the Turned Letter\u2019, Studies in Bibliography<\/em>, 46 (1993), 263-70. Changes<\/em>.<\/td><\/tr>
Dundas, Judith, \u2018The Masks of Cupid and Death<\/em>\u2019, Comparative Drama<\/em>, 29 (1995), 38-60<\/td><\/tr>
Dutton, Richard, \u2018The St. Werburgh Street Theater, Dublin\u2019, in Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642<\/em>, ed. A. Zucker and A. B. Farmer (New York: Palgrave, 2006), 129-55<\/td><\/tr>
Dyson, Jessica, Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625-1642 <\/em>(Farnham: Ashgate, 2013). Massinger, Ford, Shirley, Brome, and Jonson.<\/td><\/tr>
E., St., \u2018Shirley\u2019s Dirge\u2019, Notes & Queries<\/em>, s.3-8 (200) (1865), 354<\/td><\/tr>
Eber, Janet Emily, \u2018The Epithalamion in the Late English Renaissance\u2019 (PhD, Madison: Drew University, 1981). Shirley is said to stress the conventional themes of union and procreation.<\/td><\/tr>
Eckert, Kurt, Die dramatische Behandlung der Ermordung des Herzogs Alessandro de\u2019 Medici durch seinen Vetter Lorenzino in der englischen Literatur<\/em> (PhD, K\u00f6nigsberg: University of K\u00f6nigsberg, 1907)<\/td><\/tr>
Elliott, John R. Jr., \u2018The Folger Manuscript of The Triumph of Peace<\/em> Procession\u2019, English Manuscript Studies 1100-1700<\/em>, 3 (1992), 193-215<\/td><\/tr>
Ellis, Bronwyn, \u2018\u201cVictorious Men of Earth\u201d: Political Aspects of James Shirley\u2019s Cupid and Death<\/em>\u2019, Language and History<\/em>, 52\/1 (2009), 96-118<\/td><\/tr>
Engel, Wilson F., \u2018William Wilson, Printer of Five Plays by James Shirley\u2019, Papers of the Bibliographical Society of America<\/em>, 72 (1978), 88-89<\/td><\/tr>
Enos, Richard Leo, and Tony M. Lentz, \u2018A Bibliographical Guide to English Linguistics: 1500-1800\u2019, Rhetoric Society Quarterly<\/em>, 6\/4 (1976), 68-79. Shirley\u2019s grammars.<\/td><\/tr>
Epperly, Elizabeth, \u2018Trollope\u2019s Notes on Drama\u2019, Notes & Queries<\/em>, 31\/4 (1984), 491-97. Shirley\u2019s plays read by Trollope.<\/td><\/tr>
Esche, Edward, \u2018Stages to Pages: The Four Quartos of Shirley\u2019s The Constant Maid<\/em>\u2019, Trans: Internet-Zeitschrift f\u00fcr Kulturwissenschaften<\/em>, 16 (2006), <www.inst.at\/trans\/16Nr\/09_6\/esche16.htm><\/td><\/tr>
Ewing, S. B., \u2018Burton, Ford, and Andromana<\/em>\u2019, PMLA<\/em>, 54\/4 (1939), 1007-17. Andromana<\/em> not Shirley\u2019s.<\/td><\/tr>
Farmer, Alan, and Adam Zucker, eds, Localizing Caroline Drama: Politics and Economics of the Early Modern Stage 1625-1642 <\/em>(New York: Palgrave, 2006)<\/td><\/tr>
Fehrenbach, Robert J., \u2018The Printing of James Shirley\u2019s The Polititian<\/em> (1655)\u2019, Studies in Bibliography<\/em>, 24 (1971), 144-48<\/td><\/tr>
Feil, J. P., \u2018James Shirley\u2019s Years of Service\u2019, Review of English Studies<\/em>, 8\/32 (1957), 413-16<\/td><\/tr>
Findlay, Alison, A Feminist Perspective on Renaissance Drama<\/em> (Oxford: Blackwell, 1999). The Maid\u2019s Revenge<\/em>.<\/td><\/tr>
Fletcher, Alan, Drama, Performance, and Polity in Pre-Cromwellian Ireland<\/em> (Cork and Toronto: University of Toronto Press, 2000). St Patrick for Ireland<\/em>.<\/td><\/tr>
Forker, Charles R., \u2018Archbishop Laud and Shirley\u2019s The Cardinal<\/em>\u2019, Transactions of the Wisconsin Academy of Sciences, Arts, and Letters<\/em>, 47 (1958), 241-51<\/td><\/tr>
Forker, Charles R., \u2018Shirley\u2019s The Cardinal<\/em>: Some Problems and Cruces\u2019, Notes & Queries<\/em>, 6\/6 (1959), 232-33<\/td><\/tr>
Forsythe, Robert Stanley, The Relations of Shirley\u2019s Plays to the Elizabethan Drama<\/em> (New York: Columbia University Press, 1914)<\/td><\/tr>
Fricker, Robert, Das \u00c4ltere Englische Schauspiel<\/em> (Bern: Francke, 1975)<\/td><\/tr>
Fr\u00f6hlich, Karl, Quellenstudien zu einigen Dramen James Shirley\u2019s <\/em>(Herford: Heidemann, 1913)<\/td><\/tr>
Fuzier, J., \u2018Gentleman of Venice<\/em>, by James Shirley \u2013 W. F. Engel\u2019, Cahiers <\/em>\u00c9lisab\u00e9thains<\/em>, 11 (1977), 89-90<\/td><\/tr>
Gaby, Rosemary, \u2018Of Vagabonds and Commonwealths: Beggars\u2019 Bush<\/em>, A Jovial Crew<\/em>, and The Sisters<\/em>\u2019, Studies in English Literature, 1500-1900<\/em>, 34\/2 (1994), 401-24<\/td><\/tr>
Garc\u00eda, Luciano, \u2018A Caroline View of Spaniards and Portuguese on the Stage: The Dramatic Representation of Iberia in James Shirley (1596-1666), Revista Canaria de Estudios Ingleses<\/em>, 54 (2007), 37-53<\/td><\/tr>
Garc\u00eda, Luciano, \u2018The Motif of the Reluctance to See the King in Lope de Vega\u2019s El villano en su rinc\u00f3n<\/em> and James Shirley\u2019s The Royal Master<\/em>\u2019, Review of English Studies<\/em>, 54\/215 (2003), 365-85<\/td><\/tr>
Gerber, Richard, \u2018Shirleys Kom\u00f6diendialog und die Welt am Hyde Park\u2019, Shakespeare Jahrbuch<\/em>, 95 (1959), 98-111<\/td><\/tr>
Gerber, Richard, James Shirley, Dramatiker der Dekadenz <\/em>(Bern: Francke, 1952)<\/td><\/tr>
Graham, Elspeth, \u2018Reading, Writing, and Riding Horses in Early Modern England: James Shirley\u2019s Hyde Park<\/em> (1632) and Gervase Markham\u2019s Cavelarice<\/em> (1607)\u2019, in Renaissance<\/em> Beasts<\/em>, ed. Erica Fudge (Champaign: University Press of Illinois, 2004), 116-37<\/td><\/tr>
Grant, Teresa, \u2018Smells Like Team Spirit: Seneca and the Shirley-Stanley Circle\u2019, Canadian Review of Comparative Literature<\/em>, 40\/1 (2013), 34-51<\/td><\/tr>
Greg, W. W., \u2018The Triumph of Peace<\/em>: A Bibliographer\u2019s Nightmare\u2019, The Library<\/em>, 5th<\/sup> s., 1\/2 (1946), 113-26<\/td><\/tr>
Gregory, George MacKendrick, Two Studies in James Shirley. I. Shirley\u2019s Authorship of \u2018The Traytor\u2019. II. Shirley\u2019s Headmastership of the Free Grammar School of St. Albans <\/em>[…<\/em>] A Digest of Matter Selected from a Dissertation, etc.<\/em> (Durham: Duke University, 1935)<\/td><\/tr>
Griffith, Eva, \u2018\u201c\u2019Til the State Fangs Catch You.\u201d James Shirley the Catholic: Why It Does Not Matter (and Why It Really Does)\u2019, Times Literary Supplement<\/em> (2 April 2010), 14-15<\/td><\/tr>
Griffith, Eva, \u2018A Prompt Book Copy of St Patrick for Ireland<\/em> at the Biblioth\u00e8que Nationale de France\u2019, \u00c9tudes \u00c9pist\u00e9m\u00e8<\/em>, 17 (2010), 131-33<\/td><\/tr>
Griffith, Eva, \u2018James Shirley and the Earl of Kildare: Speculating Playhouses and Dwarves \u00e0 la Mode\u2019, in Dublin and the Pale in the Renaissance, c.1540-1660<\/em>, ed. Thomas Herron and Michael Petterton (Dublin: Four Courts Press, 2011), 352-71<\/td><\/tr>
Gurr, Andrew, \u2018Orbison, Tucker; Gossett, Suzanne (eds). The Middle Temple Documents Relating to George Chapman\u2019s <\/em>The Memorable Masque<\/em> and James Shirley\u2019s <\/em>The Triumph of Peace<\/em>, ed. by Tucker Orbison; Blame Not our Author<\/em>, ed. by Suzanne Gossett. Oxford: OUP for the Malone Soc., 1983. (Collections, 12)\u2019, Yearbook of English Studies<\/em>, 17 (1987), 261-63<\/td><\/tr>
Hall, James, \u2018Mors sceptra ligonibus aequat\u2019, Notes & Queries<\/em>, s.10-12 (1909), 494. Shirley\u2019s \u2018Dirge\u2019.<\/td><\/tr>
Harbage, Alfred, Cavalier Drama: An Historical and Critical Supplement to the Study of the Elizabethan and Restoration Stage<\/em> (New York: Russell & Russell, 1964). Shirley\u2019s plays and entertainments.<\/td><\/tr>
Harbage, Alfred, \u2018Shirley\u2019s The Wedding<\/em> and the Marriage of Sir Kenelm Digby\u2019, Philologial Quarterly<\/em>, 16 (1937), 35-40<\/td><\/tr>
Harbage, Alfred, \u2018The Authorship of the Dramatic Arcadia<\/em>\u2019, Modern Philology<\/em>, 35\/3 (1938), 233-37. Believes the play to be too underpowered to be Shirley\u2019s.<\/td><\/tr>
Harris, B. A., \u2018James Shirley\u2019s Caroline Plays\u2019 (MA, Birmingham: University of Birmingham, 1951-1952)<\/td><\/tr>
Heavey, Katherine, \u2018A New Way to Please You: Helen of Troy in Early Modern Comedy\u2019, Renaissance Studies<\/em>, 28\/3 (2012), 426-42<\/td><\/tr>
Heavey, Katherine, \u2018Performing \u2018in the Likeness of a Petticoat\u2019: Playing Helen of Troy and Medea in the Drama of James Shirley\u2019, Postgraduate English: A Journal and Forum for Postgraduates in English<\/em>, 19 (2009), 1-22 <http:\/\/community.dur.ac.uk\/postgraduate.english\/ojs\/index.php\/pgenglish\/article\/view\/78><\/td><\/tr>
Hoare, L. E., \u2018Dialectical Negotiations: The Growth and Decline of the Jonsonian Antimasque\u2019 (PhD, Glasgow: University of Strathclyde, 1995). Examines how Shirley draws on the Jonsonian antimasque.<\/td><\/tr>
Hodson, Richard J., \u2018Caroline Town Comedy 1628-1642\u2019 (PhD, York: University of York, 2000)<\/td><\/tr>
Hogan, A. P., \u2018Thematic Analysis of The Cardinal<\/em>: A New Perspective on Shirley\u2019, Yearbook of English Studies<\/em>, 5 (1975), 75-85<\/td><\/tr>
Hogan, Patrick G. Jr., \u2018The Arcadia<\/em>: From Sidney\u2019s Prose to Shirley\u2019s Drama\u2019, Explorations in Renaissance Culture<\/em>, 12 (1986), 36-45<\/td><\/tr>
Holdsworth, R. V., \u2018Early References to Plays by Jonson, Shirley, and Others\u2019, Notes & Queries<\/em>, 222 (1977), 208-9<\/td><\/tr>
Honigmann, E. A. J., \u2018Gerber, Richard. James Shirley, Dramatiker der Dekadenz<\/em>\u2019, Modern Language Review<\/em>, 49 (1953-54), 113<\/td><\/tr>
Hopkins, L., \u2018Staging the Medici: The Medici Family in English Renaissance Drama, c.<\/em>1590 \u2013 c<\/em>.1640\u2019, Sun Yat-Sen Journal of Humanities<\/em>, 28 (2010), 63-74. The Traitor<\/em>.<\/td><\/tr>
Hopkins, Lisa, Drama and the Succession to the Crown, 1561-1633<\/em> (Farnham: Ashgate, 2011)<\/td><\/tr>
Howard, Jean E., Theater of a City: The Places of London Comedy, 1598-1642 <\/em>(Philadelphia: University Press of Pennsylvania, 2007). Shirley\u2019s city comedies.<\/td><\/tr>
Howarth, R. G., \u2018A Manuscript of James Shirley\u2019s Court Secret<\/em>\u2019, Review of English Studies<\/em>, 8\/30 (1932), 203<\/td><\/tr>
Howarth, R. G., \u2018A Manuscript of James Shirley\u2019s Court Secret<\/em>\u2019, Review of English Studies<\/em>, 7\/27 (1931), 302-13<\/td><\/tr>
Howarth, R. G., \u2018Prowett\u2019s Edition of the Life of Walton\u2019, Notes & Queries<\/em>, 198 (1953), 339-40. Shirley and Walton.<\/td><\/tr>
Howarth, R. G., \u2018Some Unpublished Poems of James Shirley\u2019, Review of English Studies<\/em>, 9\/33 (1933), 24-29<\/td><\/tr>
Hoy, Cyrus, \u2018The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon (IV)\u2019, Studies<\/em> in Bibliography<\/em>, 12 (1959), 109-10<\/td><\/tr>
Hoy, Cyrus, \u2018The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon (VI)\u2019, Studies<\/em> in Bibliography<\/em>, 14 (1961), 61-63<\/td><\/tr>
Hoy, Cyrus, \u2018The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon (VII)\u2019, Studies<\/em> in Bibliography<\/em>, 15 (1962), 71-90<\/td><\/tr>
Huberman, E., \u2018Bibliographical Note on James Shirley\u2019s The Polititian<\/em>\u2019, The Library<\/em>, 18 (1937), 104-8<\/td><\/tr>
Huebert, Ronald, \u2018The Staging of Shirley\u2019s The Lady of Pleasure<\/em>\u2019, in The Elizabethan Theatre IX: Papers Given at the Ninth International Conference on Elizabethan Theatre Held at the University of Waterloo in 1981<\/em>, ed. G. R. Hibbard (Port Credit: Meany, [1986]), 41-59<\/td><\/tr>
Jackson, MacDonald P., \u2018John Webster, James Shirley, and the Melbourne Manuscript\u2019, Medieval and Renaissance Drama in England<\/em>, 19 (2006), 21-44<\/td><\/tr>
Jacquot, Jean, \u2018English Political Dialogues 1641-1651: A Suggestion for Research, with a Critical Edition of The Tragedy of the Cruell Warre<\/em>, 1643\u2019, Cahiers \u00c9lisab\u00e9thains<\/em>, 14 (1978), 49-68. The Triumph of Peace<\/em>.<\/td><\/tr>
Jacquot, Jean, \u2018Une Parodie du Triumph of Peace<\/em>, masque de James Shirley: Note sur l\u2019edition, par J. Fuzier, de The Tragedy of the Cruell Warre<\/em>\u2019, Cahiers \u00c9lisab\u00e9thains<\/em>, 15 (1979), 77-80<\/td><\/tr>
Jowett, John, \u2018Middleton\u2019s No Wit<\/em> at the Fortune\u2019, Renaissance Drama<\/em>, 22 (1991), 191-208. Shirley\u2019s revision of Middleton\u2019s The Almanack<\/em>\/No Wit<\/em>.<\/td><\/tr>
Kalmar, Elaine Bush, aka Kalmar, Elaine Joyce, \u2018Misery of Birth and State: Essays on the Tragedies of James Shirley\u2019 (PhD, Albuquerque: University of New Mexico, 1971\/72)<\/td><\/tr>
Keller, James R., \u2018James Shirley\u2019s The Politician<\/em> and the Demand for Responsible Government in the Court of Charles I\u2019, Journal of the Rocky Mountain Medieval and Renaissance Association<\/em>, 18 (1997), 179-99.<\/td><\/tr>
Kerrigan, John, Archipelagic English: Literature, History, and Politics, 1603-1707<\/em> (Oxford: Oxford University Press, 2008). St Patrick for Ireland<\/em>.<\/td><\/tr>
Kewes, Paulina, \u2018\u201cGive Me the Sociable Pocket-Books\u201d: Humphrey Moseley\u2019s Serial Publication of Octavo Play Collections\u2019, Publishing History<\/em>, 38 (1995), 5-21. Shirley\u2019s publisher.<\/td><\/tr>
King, T. J., \u2018Shirley\u2019s Coronation<\/em> and Love Will Find Out the Way<\/em>: Erroneous Title-Pages\u2019, Studies in Bibliography<\/em>, 18 (1965), 265-69<\/td><\/tr>
King, T. J., \u2018Staging of Plays at the Phoenix in Drury Lane, 1617-42\u2019, Theatre Notebook<\/em>, 19\/4 (1965), 146-66<\/td><\/tr>
Kirsch, Arthur C., \u2018A Caroline Commentary on the Drama\u2019, Modern Philology<\/em>, 66\/3 (1969), 256-61. Transcription of Abraham Wright\u2019s notes on plays by Shirley and others, c<\/em>.1640, BL MS Add. 22608.<\/td><\/tr>
Kong, Sung-Uk, \u2018Dramatic Role of \u2018Cardinal the Character\u2019 in James Shirley\u2019s The Cardinal<\/em>\u2019, Shakespeare<\/em> Review<\/em>, 29 (1996), 23-39. Korean. See Noling.<\/td><\/tr>
L., B. H., \u2018Furnival\u2019s Inn\u2019, Notes & Queries<\/em>, s.9-2 (49) (1898), 441-44. Shirley\u2019s son a butler.<\/td><\/tr>
Langhans, Edward E., \u2018More Restoration Manuscript Casts and Dates and a New Restoration Promptbook\u2019, Theatre Notebook<\/em>, 32 (1978), 126-30<\/td><\/tr>
Langhans, Edward E., \u2018The Restoration Promptbook of Shirley\u2019s The Sisters<\/em>\u2019, Theater Annual<\/em>, 14 (1956), 51-65<\/td><\/tr>
Lawless, Donald S., \u2018A Further Note on Shirley\u2019s Religion\u2019, Notes & Queries<\/em>, 222 (1977), 543<\/td><\/tr>
Lawless, Donald S., \u2018Lucow, Ben. James Shirley<\/em>\u2019, Notes & Queries<\/em>, 30\/2 (1983), 167<\/td><\/tr>
Lawless, Donald S., \u2018Shirley, J. (ed. E. M. Yearling), The Cardinal<\/em>. [\u2026] Shirley, J. (ed. R. Huebert), The Lady of Pleasure<\/em>\u2019, Notes & Queries<\/em>, 37\/3 (1990), 347-48. Review article.<\/td><\/tr>
Lefkowitz, Murray, \u2018The Longleat Papers of Bulstrode Whitelocke: New Light on Shirley\u2019s Triumph of Peace<\/em>\u2019, JAMS<\/em>, 18 (1965), 42-60<\/td><\/tr>
Leslie, R. W. C., \u2018Comedy and the Counter-Reformation: An Examination of the Evolution of the Italian Non-Tragic Drama and Its Subsequent Effect on the English Theatre from Shakespeare to Shirley with Particular Emphasis on the Role of the Go-Between\u2019 (PhD, Glasgow: University of Glasgow, 1994)<\/td><\/tr>
Levin, Richard, \u2018\u201cMeasure beyond Measure\u201d and The Gamester<\/em>\u2019, Renaissance News<\/em>, 18\/1 (1965), 1-3<\/td><\/tr>
Levin, Richard, \u2018The Triple Plot of Hyde Park<\/em>\u2019, Modern Language Review<\/em>, 62 (1967), 17-27<\/td><\/tr>
Levin, Richard, The Multiple Plot in English Renaissance Drama<\/em> (Chicago: University of Chicago Press, 1971). The Ball, Hyde Park,<\/em> and The Lady of Pleasure<\/em> are all noted for their triadic structure.<\/td><\/tr>
Limon, J., \u2018Neglected Evidence for James Shirley\u2019s The Triumph of Peace<\/em> (1634)\u2019, Records of Early English Drama Society Newsletter<\/em>, 13\/2 (1988), 2-9<\/td><\/tr>
Loftis, John, \u2018English Renaissance Plays from the Spanish Comedia\u2019, ELR<\/em>, 14\/2 (1984), 230-48<\/td><\/tr>
Love, Harold, \u2018Shadwell, Flecknoe and the Duke of Newcastle: An Impetus for Mac Flecknoe<\/em>\u2019, Papers on Language and Literature<\/em>, 21\/1 (1985), 19-27<\/td><\/tr>
Lucow, Ben, James Shirley<\/em> (Boston: Hall, 1981)<\/td><\/tr>
MacMullan, Hugh, \u2018The Sources of Shirley\u2019s St. Patrick for Ireland<\/em>\u2019, PMLA<\/em>, 48\/3 (1933), 806-14<\/td><\/tr>
Mahmoud, Ali Ahmad, \u2018Rebellion and Repentance in James Shirley\u2019s The Lady of Pleasure<\/em>\u2019, Arab Journal for the Humanities\/al-Majallah al-\u2019Arabiyah li-l-\u2019Ulun al Insaniyah<\/em>, 10\/38 (1990), 399-416<\/td><\/tr>
Manley, Frank, \u2018The Death of Hernando in Shirley\u2019s Cardinal<\/em>\u2019, Notes & Queries<\/em>, 12\/9 (1965), 342-43<\/td><\/tr>
Mart\u00ednez-G\u00f3ngora, M., \u2018El discurso africanista del Renacimiento en La primera parte de la descripci\u00f3n general de \u00c1frica<\/em> de Luis del M\u00e1rmol Carvajal\u2019, Hispanic Review<\/em>, 77\/2 (2009), 171-195<\/td><\/tr>
Matveyeva, Anna Sergeyevna, \u2018Olitsetvorenie smerti v angloyazychnoy poezii [Personification of death in English poetry]\u2019, Izvestiya Rossiiskogo gosudarstvennogo pedagogicheskogo universiteta im. A. I. Gertsena<\/em>, 114 (2009), 222-31. \u2018The Glories of Our Blood and State\u2019.<\/td><\/tr>
McConnell, Elizabeth M., \u2018The Presentation of James Shirley\u2019s St. Patrick for Ireland<\/em> at the First Irish Playhouse\u2019, Notes & Queries<\/em>, 15\/7 (1968), 268-69<\/td><\/tr>
McDowell, Nicholas, Poetry and Allegiance in the English Civil Wars: Marvell and the Cause of Wit<\/em> (Oxford and New York: Oxford University Press, 2008). Shirley\u2019s poetry.<\/td><\/tr>
McGee, C. E., \u2018Strangest Consequence from Remotest Cause\u2019: The Second Performance of The Triumph of Peace<\/em>\u2019, Medieval and Renaissance Drama in England<\/em>, 5 (1991), 309-42<\/td><\/tr>
McGrath, Juliet, \u2018James Shirley\u2019s Uses of Language<\/em>\u2019, Studies in English Literature, 1500-1900<\/em>, 6\/2 (1966), 323-39<\/td><\/tr>
McKinnen, Dana G., \u2018A Description of a Restoration Promptbook of Shirley\u2019s The Ball<\/em>\u2019, Restoration and 18th<\/sup>-Century Theatre Research<\/em>, 10\/1 (1971), 25-28<\/td><\/tr>
McLuskie, Kathleen, \u2018Caroline Professionals: Brome and Shirley\u2019, in P. Edwards, G. E. Bentley, K. McLuskie and L. Potter, The Revels History of Drama in English. IV: 1613-1660<\/em> (London: Methuen, 1981), 237-58<\/td><\/tr>
McMullin, B. J., \u2018James Shirley: A Reference Guide. <\/em>By Ruth K. Zimmer\u2019, Notes & Queries<\/em>, 29\/1 (1982), 78-79<\/td><\/tr>
McMullin, B. J., \u2018Secrets of the Printed Page in the Age of Shakespeare: Bibliographical Studies in the Plays of Beaumont, Chapman, Dekker, Fletcher, Ford, Marston, Shakespeare, Shirley<\/em> [\u2026] by Akihiro Yamada\u2019, Library<\/em>, 12\/4 (2011), 427-28. Review article.<\/td><\/tr>
Milhous, Judith, and Robert D. Hume, \u2018A 1660s Promptbook of Shirley\u2019s Loves Crueltie<\/em>\u2019, Theatre Research International<\/em>, 11\/1 (1986), 1-13<\/td><\/tr>
Milhous, Judith, and Robert D. Hume, \u2018Manuscript Casts for Revivals of Three Plays by Shirley in the 1660s\u2019, Theatre Notebook<\/em>, 39 (1985), 32-36<\/td><\/tr>
Minto, William, Characteristics of English Poets from Chaucer to Shirley<\/em> (Edinburgh and London: Blackwood, 1874)<\/td><\/tr>
Morash, Chris, A History of Irish Theatre, 1601-2000<\/em> (Cambridge: Cambridge University Press, 2002). Assumes Shirley\u2019s Catholicism.<\/td><\/tr>
Morillo, Marvin, \u2018\u201cFrier Sherley\u201d: James Shirley and Mercurius Britanicus<\/em>\u2019, Notes & Queries<\/em>, 7\/9 (1960), 338-39<\/td><\/tr>
Morillo, Marvin, \u2018Shirley\u2019s \u2018Preferment\u2019 and the Court of Charles I\u2019, Studies in English Literature, 1500-1900<\/em>, 1\/2 (1961), 101-17<\/td><\/tr>
Morton, R., \u2018S. A. Burner, James Shirley: A Study of Literary Coteries and Patronage in 17th<\/sup>-Century England<\/em>\u2019, English Language Notes<\/em>, 30\/2 (1992), 81-84<\/td><\/tr>
Morton, Richard, \u2018Deception and Social Dislocation: An Aspect of James Shirley\u2019s Drama\u2019, Renaissance Drama<\/em>, 9 (1966), 227-45<\/td><\/tr>
Morton, Richard, \u2018Zimmer, Ruth K., James Shirley: A Reference Guide<\/em>\u2019, Analytical and Enumerative Bibliography<\/em>, 6 (1982), 32-36<\/td><\/tr>
Munro, Lucy, \u2018Actors, Plays and Performances in the Indoor Playhouses, 1625-42: Boy Players, Leading Men and the Caroline Ensemble\u2019, Yearbook of English Studies<\/em>, 44 (2014), 51-68. Beeston\u2019s Boys and Shirley\u2019s Cockpit plays.<\/td><\/tr>
Munro, Lucy, \u2018Dublin Tragicomedy and London Stages\u2019, in Early Modern Tragicomedy<\/em>, ed. R. Lyne and S. Mukherjee (Cambridge: Brewer, 2007), 175-92<\/td><\/tr>
Nason, Arthur Huntington, James Shirley Dramatist: A Biographical and Critical Study<\/em> (New York: Blom, 1915)<\/td><\/tr>
Neilson, William Allan, \u2018Ford and Shirley\u2019, in The Cambridge History of English Literature: The Drama to 1642, Part Two<\/em>, ed. A. W. Ward and A. R. Waller, 15 vols (Cambridge: Cambridge University Press, 1908), VII, 212-35<\/td><\/tr>
Nissen, P., James Shirley. Ein Beitrag zur englischen Litteraturgeschichte<\/em> (Hamburg: L\u00fctcke and Wulff, 1901)<\/td><\/tr>
Norbrook, David, \u2018The Reformation of the Masque\u2019, in The Court Masque<\/em>, ed. David Lindley (Oxford: Oxford University Press, 1984), 94-110. The Triumph of Peace<\/em>.<\/td><\/tr>
Occhiogrosso, Frank V., Sovereign and Subject in Caroline Tragedy<\/em> (Baltimore: Johns Hopkins University Press, 1969)<\/td><\/tr>
Ochester, Edwin F., \u2018A Source for Shirley\u2019s The Contention of Ajax and Ulysses<\/em>\u2019, Notes & Queries<\/em>, 17\/6 (1970), 217<\/td><\/tr>
Pannen, Imke, When the Bad Bleeds: Mantic Elements in English Renaissance Revenge Tragedy<\/em> (G\u00f6ttingen: Vandenhoeck and Ruprecht, 2010). The Maid\u2019s Revenge<\/em>.<\/td><\/tr>
Parker, Cynthia May, \u2018Pastoral Drama, Masque, and Epic Romance: Studies in Non-Aristotelian Sources of Seventeenth-Century Opera\u2019 (PhD, Bloomington: Indiana University, 1980). Cupid and Death.<\/em><\/td><\/tr>
Parker, Ian C., \u201cMarvell\u2019s \u201cCrystal\u201d Mirrour\u2019, Notes & Queries<\/em>, 56\/2 (2009), 219-26<\/td><\/tr>
Parlin, Hanson T., A Study in Shirley\u2019s Comedies of London Life<\/em> (Austin: The University of Texas, 1914)<\/td><\/tr>
Parr, Anthony, \u2018The Caroline Globe\u2019, Yearbook of English Studies<\/em>, 44 (2014), 12-28. The Globe\u2019s clientele, the second war of the theatres, and Shirley.<\/td><\/tr>
Parry, G., \u2018S. A. Burner, James Shirley: A Study of Literary Coteries and Patronage in 17th<\/sup>-Century England<\/em>\u2019, RES<\/em>, 42\/165 (1991), 111-12<\/td><\/tr>
Pastoor, Charles, \u2018The Puritan Audience in Jonson\u2019s Bartholomew Fair<\/em> and Shirley\u2019s The Bird in a Cage<\/em>\u2019, English Language Notes<\/em>, 43\/1 (2005), 1-12<\/td><\/tr>
Pasupathi, Vimala, \u2018Arms and the Book: \u201cWorkes\u201d, \u201cPlayes\u201d, and \u201cWarlike Accoutrements\u201d in William Cavendish\u2019s The Country Captain<\/em>\u2019, Philological Quarterly<\/em>, 91\/2 (2012), 277-303<\/td><\/tr>
Patella, Danae Rose, \u2018Jacobean Women and the Comic Stage\u2019 (PhD, Eugene: University of Oregon, 1978). Chapman, Jonson, and Shirley.<\/td><\/tr>
Pennel, Charles A., and William P. Williams (comps.), Elizabethan Bibliographies Supplements. 8: Francis Beaumont, John Fletcher, Philip Massinger, 1937-1965, John Ford, 1940-1965, James Shirley, 1945-1965 <\/em>(London: Nether Press, 1968)<\/td><\/tr>
Potter, Lois, \u2018The Triumph of Peace<\/em> and The Cruel War<\/em>: Masque and Parody\u2019, Notes & Queries<\/em>, 27\/4 (1980), 345-48<\/td><\/tr>
Prescott, Anne Lake, \u2018The Stuart Masque and Pantagruel\u2019s Dreams\u2019, ELH<\/em>, 41 (1984), 407-30. The<\/em> Triumph of Peace<\/em>.<\/td><\/tr>
Princic, Walter Francis, \u2018The Tragedies of James Shirley: A Study of Themes and Images\u2019 PhD, Champaign: University of Illinois at Urbana, 1974)<\/td><\/tr>
Proudfoot, Richard, \u2018A Jacobean Dramatic Fragment\u2019, TLS<\/em> (13 June 1986), 651. On the Melbourne MS.<\/td><\/tr>
Radtke, Stephen John, James Shirley: His Catholic Philosophy of Life<\/em> (Phd, Washington: Catholic University of America, 1929)<\/td><\/tr>
Randall, Dale B., Winter Fruit: English Drama, 1642-1660<\/em> (Lexington: University Press of Kentucky, 1995). Late Shirley.<\/td><\/tr>
Ravelhofer, Barbara, \u2018Non-Verbal Meaning in Caroline Private Theatre: William Cavendish\u2019s and James Shirley\u2019s The<\/em> Varietie<\/em> (c<\/em>.1641)\u2019, The Seventeenth Century<\/em>, 21\/2 (2006), 195-214<\/td><\/tr>
Reed, Robert R., \u2018James Shirley and the Sentimental Comedy\u2019, Anglia<\/em>, 73 (1955), 149-70<\/td><\/tr>
Rees, Christine, \u2018Some Seventeenth-Century Versions of the Judgment of Paris\u2019, Notes & Queries<\/em>, 222 (1977), 197-200. The Triumph of Beauty<\/em>.<\/td><\/tr>
Richards, Kenneth, \u2018Satire and Values in James Shirley\u2019s The Lady of Pleasure<\/em>\u2019, Acta Neophilologica<\/em>, 13 (1980), 49-59<\/td><\/tr>
Rider, Philip R., \u2018The Concurrent Printing of Shirley\u2019s The Wittie Faire One<\/em> and The Bird in a Cage<\/em>\u2019, Papers of the Bibliographical Society of America<\/em>, 71 (1977), 328-33<\/td><\/tr>
Riemer, A. P., \u2018A Source for Shirley\u2019s The Traitor<\/em>\u2019, Review of English Studies<\/em>, 14\/56 (1963), 380-83<\/td><\/tr>
Riemer, A. P., \u2018A Study of the Life and Works of James Shirley\u2019 (PhD, London: University College, 1962-63)<\/td><\/tr>
Riemer, A. P., \u2018Shirley\u2019s Revisions and the Date of The Constant Maid<\/em>\u2019, Review of English Studies<\/em>, 17\/66 (1966), 141-48<\/td><\/tr>
Robertson, J., \u2018R. K. Zimmer, James Shirley: A Reference Guide<\/em>\u2019, Durham University Journal<\/em>, 75\/2 (1983), 128-29<\/td><\/tr>
Robins, Nicholas, \u2018\u201cThou Flattering World, Farewell!\u201d A Caroline Connoisseur: The Sly Proprieties of James Shirley, Metropolitan Play-Maker\u2019, TLS<\/em> (11 Oct 1996), 20-21<\/td><\/tr>
Robinson, Benedict Scott, \u2018Thomas Heywood and the Cultural Politics of Play Collections\u2019, Studies in English Literature, 1500-1900<\/em>, 42\/2 (2002), 361-80. Shirley\u2019s publisher Moseley.<\/td><\/tr>
Roeloffs, Karl, James Shirleys Beitrag zur Entwicklung der \u2018Comedy of Manners\u2019<\/em> (PhD, Bonn: Friedrich-Wilhelms-Universit\u00e4t, 1959)<\/td><\/tr>
Runyan, William Ronald, \u2018Shirley\u2019s Sexual Comedy\u2019, Shakespeare and Renaissance Association of West Virginia \u2013 Selected Papers<\/em>, 7\/1 (1982), 8-13<\/td><\/tr>
Sabol, A. J., \u2018New Documents on Shirley\u2019s Masque The Triumph of Peace<\/em>\u2019, Music and Letters<\/em>, 46 (1966), 10-26<\/td><\/tr>
Salmon, Vivian, \u2018James Shirley and Some Problems of 17th<\/sup>-Century Grammar\u2019, Archiv f\u00fcr das Studium der neueren Sprachen und Literaturen<\/em>, 97 (1961), 287-96<\/td><\/tr>
Sanders, Julie, \u2018Beggar\u2019s Commonwealths and the Pre-Civil War Stage: Suckling\u2019s The Goblins<\/em>, Brome\u2019s A Jovial Crew<\/em>, and Shirley\u2019s The<\/em> Sisters<\/em>\u2019, Modern Language Review<\/em>, 97\/1 (2002), 1-14<\/td><\/tr>
Sanders, Julie, \u2018Powdered with Golden Rain\u2019: The Myth of Danae in Early Modern Drama\u2019, EMLS<\/em>, 8\/2 (2002), 1.1-23. The Bird in the Cage<\/em>.<\/td><\/tr>
Sanders, Julie, \u2018Caroline Salon Culture and Female Agency: The Countess of Carlisle, Henrietta Maria, and Public Theatre\u2019, Theatre Journal<\/em>, 52\/4 (2000), 449-64. The Lady of Pleasure<\/em>.<\/td><\/tr>
Sanders, Julie, Caroline Drama: The Plays of Massinger, Ford, Shirley and Brome<\/em> (Plymouth: Northcote, 1999)<\/td><\/tr>
Sanders, Julie, The Cultural Geography of Early Modern Drama, 1620-1650<\/em> (Cambridge: Cambridge University Press, 2011). Hyde Park<\/em>, The Lady of Pleasure<\/em>, The Sisters<\/em>, The Triumph of Peace<\/em>.<\/td><\/tr>
Schelling, Felix E., \u2018Poems of Shirley Attributed to Carew and Goffe\u2019, Modern Language Notes<\/em>, 11\/5 (1896), 137-39<\/td><\/tr>
Schelling, Felix E., Elizabethan Playwrights: A Short History of the English Drama from Mediaeval Times to the Closing of the Theaters in 1642<\/em> (New York: Harper, 1925). Some notes on Shirley in the section \u2018The Cavalier Dramatists\u2019.<\/td><\/tr>
Scherrer, Gerhard J., James Shirley\u2019s Nachruhm<\/em> (Zurich: Juris, 1951)<\/td><\/tr>
Schipper, Jakob, James Shirley: Sein Leben und seine Werke nebst einer \u00dcbersetzung seines Dramas \u2018The Royal Master\u2019<\/em> (Vienna and Leipzig: Braunm\u00fcller, 1911)<\/td><\/tr>
Scholz, Gottfried, \u2018Cupid and Death<\/em> von Shirley, Locke, Gibbons \u2013 Masque oder Oper?\u2019, Musicologica Austriaca<\/em>, 18 (1999), 295-304<\/td><\/tr>
Scott, K. A., \u2018\u2018Ambition and Scarlet Sins\u2019: A Study of the Presentation and Function of the Cardinal in English Plays from 1590-1641\u2019 (PhD, Reading: University of Reading, 1988). Shirley\u2019s prelate in The Cardinal<\/em> is argued to be based on Archbishop Laud.<\/td><\/tr>
Searle, Alison, \u2018Conversion in James Shirley\u2019s St Patrick for Ireland<\/em> (1640)\u2019, in The Turn of the Soul: Representations of Religious Conversion in Early Modern Art and Literature<\/em>, ed. L. Stelling, H. Hendrix, and T. M. Richardson (Leiden: Brill, 2012), 199-223<\/td><\/tr>
Searle, Alison, \u2018James Shirley\u2019, The Literary Encyclopedia<\/em> (2010), <www.litencyc.com\/php\/speople.php?rec=true&UID=4061><\/td><\/tr>
Shohet, Lauren, Reading Masques: The English Masque and Public Culture in the Seventeenth Century<\/em> (Oxford: Oxford University Press, 2010). The Triumph of Peace<\/em>.<\/td><\/tr>
Slowey, Desmond, The Radicalization of Irish Drama, 1600\u20131900: The Rise and Fall of Ascendancy Theatre <\/em>(Dublin: Irish Academic Press, 2008). St Patrick for Ireland.<\/em><\/td><\/tr>
Soellner, Rolf, \u2018Gerber, Richard. James Shirley, Dramatiker der Dekadenz<\/em>\u2019, Journal of English and Germanic Philology<\/em>, 52 (1953-54), 260-61<\/td><\/tr>
Spinrad, Phoebe S., \u2018James Shirley: Decadent or Realist?\u2019, English Language Notes<\/em>, 25\/4 (1988), 24-32<\/td><\/tr>
Stadtfeld, Frieder, \u2018\u201cFortune\u201d, \u201cProvidence\u201d und \u201cManners\u201d in James Shirley\u2019s Hyde Park<\/em>\u2019, Anglia<\/em>, 93 (1975), 111-39<\/td><\/tr>
Stafford, Tony J., \u2018Shirley\u2019s The Lady of Pleasure<\/em>: The Dialectic of Earth and Sky\u2019, Quiddtas<\/em> [sic<\/em>]: Journal of the Rocky Mountain Medieval and Renaissance Association<\/em>, 4 (1983), 125-34<\/td><\/tr>
Steggle, M., \u2018Redating A Jovial Crew<\/em>\u2019, Review of English Studies<\/em>, 53\/211 (2002), 365-72<\/td><\/tr>
Stern, Tiffany, Documents of Performance in Early Modern England <\/em>(Cambridge: Cambridge University Press, 2009)<\/td><\/tr>
Stevens, David, \u2018The Staging of Plays at the Salisbury Court Theatre, 1630-1642\u2019, Theatre Journal<\/em>, 31\/4 (1979), 511-25. Changes<\/em>, The Gentleman of Venice<\/em>, The Politician<\/em>.<\/td><\/tr>
Stevens, David, \u2018The Stagecraft of James Shirley\u2019, Educational Theatre Journal<\/em>, 29\/4 (1977), 493-516. Implications of physical features of Phoenix for Shirley\u2019s plays, with list of props.<\/td><\/tr>
Stevenson, Allan H., \u2018Bio-Bibliographical Studies in James Shirley\u2019 (PhD, Chicago: University of Chicago, 1950)<\/td><\/tr>
Stevenson, Allan H., \u2018James Shirley and the Actors at the First Irish Theater\u2019, Modern Philology<\/em>, 40 (1942), 147-60<\/td><\/tr>
Stevenson, Allan H., \u2018Shirley\u2019s Dedications and the Date of His Return to England\u2019, Modern Language Notes<\/em>, 61\/2 (1946), 79-83<\/td><\/tr>
Stevenson, Allan H., \u2018Shirley\u2019s Publishers: The Partnership of Crooke and Cooke\u2019, The<\/em> Library<\/em>, 25 (1944), 140-61<\/td><\/tr>
Stevenson, Allan H., \u2018Shirley\u2019s Years in Ireland\u2019, Review of English Studies<\/em>, 20\/77 (1944), 19-28<\/td><\/tr>
Stevenson, Allan H., \u2018The Case of the Decapitated Cast or The Night-Walker<\/em> at Smock Alley\u2019, Shakespeare Quarterly<\/em>, 6\/3 (1955, 275-96. On the partly cut-off cast list in Fletcher\u2019s melodrama in the Folger copy. Tries to reconstruct names.<\/td><\/tr>
Stevenson, Kay, \u2018Inigo Jones\u2019 \u201cGlory\u201d in Poems by Milton and Shirley\u2019, Milton Quarterly<\/em>, 13 (1979), 46-47. The Contention of Ajax and Ulysses<\/em>.<\/td><\/tr>
Stiefel, A. L., \u2018Die Nachahmung spanischer Kom\u00f6dien in England unter den ersten Stuarts\u2019, Romanische Forschungen<\/em>, 5 (1890), 193-220<\/td><\/tr>
Sullivan, Ernest W., \u2018Second-Generation Minor Poets of the Seventeenth Century\u2019, in Seventeenth-Century British Nondramatic Poets, Second Series, <\/em>ed. M. Thomas Hester, DLB, <\/em>126 (1993), 294-97<\/td><\/tr>
Sullivan, Garrett, The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage<\/em> (Stanford: Stanford University Press, 1998). The Sisters.<\/em><\/td><\/tr>
Sutherland, J., \u2018Women Who Wreak Havoc: A New Perspective on Early Modern Drama, 1603-1642\u2019 (PhD, Durham: Durham University, 2004)<\/td><\/tr>
Swinburne, Algernon Charles, \u2018James Shirley\u2019, in The Complete Works<\/em>, ed. E. Gosse and T. J. Wise, II: Prose Works<\/em> (London: Heinemann, 1926), section \u2018Contemporaries of Shakespeare\u2019, 339-67<\/td><\/tr>
Symonds, E. M., \u2018The Diary of John Greene (1635-57)\u2019, The English Historical Review<\/em>, 43\/171 (1928), 385-94. Greene, a barrister at Lincoln\u2019s Inn, danced the measures after dinner and saw The Lady of Pleasure<\/em> at the Cockpit in Nov. 1635 (p. 389). Sadly, he noted nothing about the play.<\/td><\/tr>
Tabor, Stephen, \u2018ESTC<\/em> and the Bibliographical Community\u2019, The Library<\/em>, 7th<\/sup> ser., 8\/4 (2007), 367-86. The Triumph of Peace<\/em>.<\/td><\/tr>
Taft, Edmund, \u2018Lucow, Ben. James Shirley<\/em>\u2019, Seventeenth-Century News<\/em>, 41\/4 (1983), 74-75<\/td><\/tr>
Tannenbaum, Samuel A., and Dorothy R. Tannenbaum, James Shirley (A Concise Bibliography)<\/em>, Elizabethan Bibliographies 34 (New York: Tannenbaum, 1946)<\/td><\/tr>
Tarlinskaja, Marina, Shakespeare and the Versification of English Drama, 1561-1642<\/em> (Ashgate, 2014). Shirley\u2019s verse.<\/td><\/tr>
Taylor, Aline Mackenzie, \u2018James Shirley and \u201cMr. Vincent Cane\u201d, the Franciscan\u2019, Notes & Queries<\/em>, 7\/1 (1960), 31-33<\/td><\/tr>
Tomlinson, Sophie Eliza, \u2018Too Theatrical? Female Subjectivity in Caroline and Interregnum Drama\u2019, Women\u2019s<\/em> Writing<\/em>, 6\/1 (1999), 65-79. Hyde Park<\/em>.<\/td><\/tr>
Tomlinson, Sophie, \u2018She That Plays the King: Henrietta Maria and the Threat of the Actress in Caroline Culture\u2019, in The Politics of Tragicomedy: Shakespeare and After<\/em>, ed. G. McMullan and J. Hope (London: Routledge, 1992), 189-207. The Bird in a Cage<\/em>.<\/td><\/tr>
Tomlinson, Sophie, Women on Stage in Stuart Drama<\/em> (Cambridge: Cambridge University Press, 2005)<\/td><\/tr>
Traub, Valerie, \u2018The (In)Significance of \u2018Lesbian\u2019 Desire in Early Modern England\u2019, in Erotic Politics: Desire on the Renaissance Stage<\/em>, ed. Susan Zimmerman (New York: Routledge, 1992), 150-69. Some relevance for The Bird in a Cage<\/em>.<\/td><\/tr>
Treglown, Jeremy, \u2018Silver Poets of the Seventeenth Century<\/em>, edited by G. A. E. Parfitt. London: Dent, 1974\u2019, Notes & Queries<\/em>, 23\/12 (1976), 569-70. Review article deplores the collection\u2019s neglect of Shirley.<\/td><\/tr>
Treip, Mindele Anne, \u2018Comus<\/em> and the Stuart Masque Connection, 1632-34\u2019, ANQ<\/em>, 2\/3 (1989), 83-89. The<\/em> Triumph of Peace<\/em>.<\/td><\/tr>
Tricomi, Albert H, Anti-Court Drama in England, 1603-42<\/em> (Charlottesville: University of Virginia Press, 1989). The<\/em> Triumph of Peace<\/em>.<\/td><\/tr>
Tricomi, Albert H., \u2018Langbaine\u2019s Unidentified Source for Chapman\u2019s Chabot<\/em> Identified\u2019, Notes & Queries<\/em>, 23\/5-6 (1976), 215-16<\/td><\/tr>
Turner, Alberta, \u2018Queen Henrietta Maria and the University Poets\u2019, Notes & Queries<\/em>, 193\/13 (1948), 270-72. On birth poem anthologies by university wits (which included Shirley).<\/td><\/tr>
Ure, Peter, \u2018The \u201cDeformed Mistress\u201d Theme and the Platonic Convention\u2019, Notes & Queries<\/em>, 193\/13 (1948), 269-70. The Duke\u2019s Mistress<\/em>, Poems<\/em>.<\/td><\/tr>
Veevers, Erica, Images of Love and Religion: Queen Henrietta Maria and Court Entertainments<\/em> (Cambridge: Cambridge University Press, 1989). The Ball, The Lady of Pleasure, The Triumph of Peace<\/em>.<\/td><\/tr>
Venoise, M., \u2018James Shirley\u2019, Le Th\u00e9\u00e2tre Elizab\u00e9thain<\/em>, special issue, Cahiers du Sud<\/em>, 10 (1933), 226-29<\/td><\/tr>
Venuti, Lawrence, \u2018The Politics of Allusion: The Gentry and Shirley\u2019s The Triumph of Peace<\/em>\u2019, English Literary Renaissance<\/em>, 16\/1 (1986), 182-205<\/td><\/tr>
Walker, Kim, \u2018New Prison: Representing the Female Actor in Shirley\u2019s The Bird in a Cage<\/em> (1633)\u2019, English Literary Renaissance<\/em>, 21\/3 (1991), 385-400<\/td><\/tr>
Walker, Kim, \u2018Press Variants and Proof Correction in Shirley\u2019s The Dukes\u2019 Mistris<\/em> (1638)\u2019, Long Room<\/em>, 31 (1986), 19-33<\/td><\/tr>
Walker, Kim, \u2018The Printing and Publishing of James Shirley\u2019s The Dukes Mistris<\/em> (1638)\u2019, The Library<\/em>, 10\/4 (1988), 317-38<\/td><\/tr>
Weber, F. Parkes, \u2018Mors sceptra ligonibus aequat\u2019, Notes & Queries<\/em>, s.12-4 (80) (1918), 134. Shirley\u2019s \u2018Dirge\u2019.<\/td><\/tr>
Wedgewood, C. V., \u2018Comedy in the Reign of Charles I\u2019, in Studies in Social History: A Tribute to G. M. Trevelyan<\/em>, ed. J. H. Plumb (London: Longmans, 1955), 109-37<\/td><\/tr>
Werner, Hans, \u2018Wallenstein\u2019s Millions: A Misreading of Shirley\u2019s The Example<\/em> IV.i.213-214\u2019, Notes & Queries<\/em>, 39\/3 (1992), 374-76<\/td><\/tr>
Wertheim, Albert, \u2018Games and Courtship in James Shirley\u2019s Hyde Park<\/em>\u2019, Anglia<\/em>, 90 (1972), 71-91<\/td><\/tr>
Wertheim, Albert, \u2018James Shirley and the Caroline Masques of Ben Jonson\u2019, Theatre Notebook<\/em>, 27 (1973), 157-61<\/td><\/tr>
Wertheim, Albert, \u2018James Shirley\u2019, in The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama<\/em>, ed. T. P. Logan and D. Smith (Lincoln: University of Nebraska Press, 1978), 152-71<\/td><\/tr>
Wertheim, Albert, \u2018The Dramatic Art of James Shirley\u2019 (PhD, New Haven: Yale University, 1966)<\/td><\/tr>
Wertheim, Albert, \u2018The Presentation of James Shirley\u2019s St. Patrick for Ireland<\/em> at the First Irish Playhouse\u2019, Notes & Queries<\/em>, 14\/6 (1967), 212-15<\/td><\/tr>
Wertheim, Albert, \u2018Zimmer, Ruth K. James Shirley: A Reference Guide<\/em>\u2019, Literary Research Newsletter<\/em>, 7\/1 (1982), 43-45<\/td><\/tr>
West, Philip, \u2018Editing James Shirley\u2019s Poems\u2019, Studies in English Literature<\/em>, 52\/1 (2012), 101-16<\/td><\/tr>
Whitted, Brent, \u2018Street Politics: Charles I and the Inns of Court\u2019s Triumph of Peace<\/em>\u2019, The<\/em> Seventeenth Century<\/em>, 24\/1 (2009), 1-25<\/td><\/tr>
Williams, Franklin B., \u2018Unrecorded University Men\u2019, Notes & Queries<\/em>, 3\/6 (1956), 235-36. Identifies Francis Tuckyr as author of commendatory verse in Shirley\u2019s Poems<\/em>.<\/td><\/tr>
Williams, Justine, \u2018The Irish Plays of James Shirley, 1636-1640\u2019 (PhD, Warwick: University of Warwick, 2010)<\/td><\/tr>
Wiseman, Susan, \u2018Royal or Reformed? The Politics of Court Entertainment in Translation and Performance\u2019, in Drama and Politics in the English Civil War<\/em>, ed. S. Wiseman (Manchester: Manchester University Press, 1998), 114-24. The Triumph of Peace<\/em>, Cupid and Death<\/em>.<\/td><\/tr>
Wolf, William D., \u2018Some New Facts and Conclusions about James Shirley: Residence and Religion\u2019, Notes & Queries<\/em>, 29\/2 (1982), 133-34<\/td><\/tr>
Wong, Katrine, Music and Gender in English Renaissance Drama<\/em> (New York: Routledge, 2013). The Duke\u2019s Mistress<\/em>, St Patrick for Ireland<\/em>, The Bird in a Cage<\/em>, The Imposture<\/em>.<\/td><\/tr>
Wood, Anthony \u00e0, Athenae Oxonienses<\/em>, 2 vols (London: for Tho. Bennet, 1691-92). Entry on Shirley in vol. II, col. 260-65.<\/td><\/tr>
Yamada, Akihiro, \u2018Press-Variants in Early Quartos of Alphonsus<\/em>, The Ball<\/em>, Bussy D\u2019Ambois<\/em> (Q7), Chabot<\/em>, and Two Wise Men<\/em>\u2019, in A. Yamada, Secrets of the Printed Page in the Age of Shakespeare <\/em>(New York: AMS, 2010), App. I, 243-60<\/td><\/tr>
Yearling, E. M., \u2018James Shirley and His Treatment of Language\u2019 (B. Litt., Oxford: University of Oxford, 1970)<\/td><\/tr>
Young, Anthony Davenport, \u2018The Political Aspects of James Shirley\u2019s Dramatic Works\u2019 (PhD, Columbia: University of South Carolina, 2003)<\/td><\/tr>
Young, Jennifer, \u2018Evidence for Identifying the Handwriting of Thomas Cotes, Seventeenth-Century Stationer and Parish Clerk\u2019, Notes & Queries<\/em>, 61\/3 (2014), 357-58. One of Shirley\u2019s publishers.<\/td><\/tr>
Zimmer, Ruth K., James Shirley: A Reference Guide<\/em> (Boston: Hall, 1980)<\/td><\/tr>
Zimmer, Ruth Kachel, \u2018A Study of the Heroines in the Dramatic Pieces of James Shirley\u2019 (PhD, Lexington: Univ. of Kentucky, 1971)<\/td><\/tr>
Zucker, Adam, The Places of Wit in Early Modern English Comedy<\/em> (Cambridge: Cambridge University Press, 2nd<\/sup> edn, 2012). Hyde Park<\/em>.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n