{"id":19,"date":"2021-04-23T05:49:02","date_gmt":"2021-04-23T05:49:02","guid":{"rendered":"https:\/\/jamesshirley.webspace.durham.ac.uk\/?page_id=19"},"modified":"2021-05-07T21:50:22","modified_gmt":"2021-05-07T21:50:22","slug":"people","status":"publish","type":"page","link":"https:\/\/jamesshirley.webspace.durham.ac.uk\/?page_id=19","title":{"rendered":"People"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">People<br><br><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">The Oxford Complete Works of James Shirley<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Editorial Board<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Nigel Bawcutt, David Bevington, <a href=\"http:\/\/www.leeds.ac.uk\/arts\/profile\/20040\/347\/martin_butler_\">Martin Butler<\/a>, Andrew Hadfield, Peter Holland, Julie Sanders<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">General Editors<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.anglia.ac.uk\/ruskin\/en\/home\/faculties\/alss\/deps\/english_media\/staff\/giddens.html\">E. Giddens<\/a> and <a href=\"http:\/\/www2.warwick.ac.uk\/fac\/arts\/english\/people\/grantdrteresa\/\">T. Grant<\/a> (Shirley\u2019s earlier plays, grammars)<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.dur.ac.uk\/english.studies\/academicstaff\/?username=dng0br\">B. Ravelhofer<\/a> (Shirley\u2019s last plays, entertainments, poems)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Contributors<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>A. Ashbee (music)<br><\/li><li>R. Bailey (<em>The Young Admiral<\/em>)<\/li><li>K. Britland (<em>The Imposture<\/em>)<\/li><li>M. Butler (<em>The Cardinal<\/em>)<\/li><li>R. Carver (<em>The Arcadia<\/em>)<\/li><li>R. Cummings (<em>A Contention for Honour and Riches<\/em>; <em>Honoria and Mammon<\/em>; <em>The Contention of Ajax and Ulysses<\/em>)<\/li><li>M. Dahl (stylometrics)<\/li><li>E. Esche (<em>The Constant Maid<\/em>)<\/li><li>A. Farmer and A. Zucker (<em>The School of Compliment<\/em>)<\/li><li>E. Giddens (<em>The Maid\u2019s Revenge<\/em>; <em>The Traitor<\/em>)<\/li><li>T. Grant (<em>The Witty Fair One<\/em>)<\/li><li>E. Griffith (<em>Changes, or Love in a Maze<\/em>)<\/li><li>A. Hadfield (<em>The Politician<\/em>)<\/li><li>C. Hanabusa (<em>The Brothers<\/em>)<\/li><li>P. Happ\u00e9 (<em>The Opportunity<\/em>)<\/li><li>R. Lublin and S. Maisano (<em>St Patrick for Ireland<\/em>)<\/li><li>L. Munro (<em>The Gentleman of Venice<\/em>)<\/li><li>H. Ostovich (<em>The Ball<\/em>)<\/li><li>A. Parr (<em>The Wedding<\/em>)<\/li><li>B. Ravelhofer (<em>The Triumph of Peace<\/em>; <em>The Triumph of Beauty<\/em>; <em>Cupid and Death<\/em>)<\/li><li>J. Sanders (<em>The Lady of Pleasure<\/em>)<\/li><li>A. Searle (<em>The Sisters<\/em>)<\/li><li>S. Tabor (<em>The Triumph of Peace<\/em>)<\/li><li>P. West (<em>Poems<\/em>)<\/li><li>R. Yearling (<em>The Doubtful Heir<\/em>)<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>People The Oxford Complete Works of James Shirley Editorial Board Nigel Bawcutt, David Bevington, Martin Butler, Andrew Hadfield, Peter Holland, Julie Sanders General Editors E. Giddens and T. Grant (Shirley\u2019s earlier plays, grammars) B. Ravelhofer (Shirley\u2019s last plays, entertainments, poems) Contributors A. Ashbee (music) R. Bailey (The Young Admiral) K. Britland (The Imposture) M. Butler [&hellip;]<\/p>\n","protected":false},"author":521,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_members_access_role":[],"_members_access_error":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>People - The James Shirley Project<\/title>\n<meta name=\"description\" content=\"\u00a0 The Oxford Complete Works of James Shirley Editorial Board Nigel Bawcutt, David Bevington, Martin Butler, Andrew Hadfield, Peter Holland, Julie Sanders General Editors E. Giddens and T. 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